In 1984 the biologist E.O. Wilson gave a name to something humans have always felt: biophilia, our innate affection for the natural world and every living thing in it. It is not sentimentality but biology.
We evolved among leaves and water and open horizons, and some deep part of us still expects to find them. The evidence is striking: in one famous study, hospital patients with a view of trees recovered faster and needed less pain relief than those facing a brick wall. The trouble is that we now spend almost all our lives indoors, and much of it looking at screens. Biophilic design is the considered response.
"Our love of nature is not sentimentality but biology, and some deep part of us still expects to find it."
Nature, Brought Indoors
Wallpaper is one of the most effective tools biophilic design has, because it can surround you with nature on a scale no houseplant can match. Spring Festival in Gold, from Coordonné's Random Metallics II, gilds a whole garden across a wall, and Alnarp, from Boråstapeter's Herrgård, does the same thing in soft green with a landscape you could walk into.
Depth matters as much as subject. Reverie in Navy and Bodnant Garden, both from Solstice by Graham & Brown, are a thicket and a garden respectively, one dark enough to disappear into and one drawn as though sketched on the spot.
"Wallpaper can surround you with nature on a scale no houseplant could ever manage."
Not all of it needs to be immersive. This is also the world of trailing foliage and quiet botanicals, of the restful greens and earthy tones drawn straight from the countryside. Rowen Botanical, from York's Jardin, and Ikat Flower Trail are leaf trails at a domestic scale, and Flores, from Harlequin's Signature collection, blurs its blooms until they read almost as weather.
How and Where to Use It
Biophilic wallpaper flatters almost any room, but it does its best work where you most need restoring. A leafy design brings a garden-like serenity to a bedroom or a bathroom; a sweeping mural turns a living room or a hallway into a window onto somewhere green; a soft, nature-drawn texture warms a study or a snug. It is especially powerful in the rooms with least natural light or no view to speak of, where it can conjure the nature the window cannot provide.
Cynara, from Ananda by Osborne & Little, is the brightest way to do it, and Charmille in Marmalade, from Arte's Ombre, the subtlest: no motif at all, just a surface that behaves like weathered stone.
Lean into greens and earthy tones, pair the paper with natural materials and a few real plants, and let the outdoors set the mood. Order a sample first to judge those greens truly in your own light. We cannot all live beside a wood or a water meadow. Biophilic wallpaper is the next best thing: a daily dose of the nature we are, it turns out, quietly built to need.

